The lapiz, or "pencil" is an adornment for the leader. When used in a turn, the leader draws a quarter circle (more or less) on the ground to mark the path of the follower's back cross, side and forward cross steps of the turn.
Exercises for disassociation (to prepare for doing the lapiz and other fancy stuff)
These are exercises from Oscar Mandagaran, Luciana Valle, and Chicho Frumboli. You can use them to develop the ability to move upper and lower body parts at different times, without falling over. This disassociation of the body refers to remaining on axis, but rotating around the axis: rotating the chest to turn the follower without moving the hips, or executing an ocho for the follower twisting the lower body more than the torso.
- Step forward with the right foot. I leave my left foot back to feel the twist of the body, but this is not necessary.
- When you are on axis, rotate around your axis to the right (clockwise, CW).
- After you twist to your maximum, let the twist resolve by allowing the hips to rotate until your body is in neutral again (hips/solar plexus pointing the same direction).
- At first, this may be only a quarter turn. Remember, the follower's movement in the turn provides some momentum for the leader's pivot in a "real" turn. Do not wind up with your arms, shoulders, butt, etc., in order to turn faster. Once the mechanics are working in slow motion in a small rotation, you will find it easy to turn further and/or faster.
After this is working, add another section (preparation for enrosques, drags, etc.):
- As the hips return to neutral in #4, don't stop them! Keep rotating your hips until they are ahead of the torso.
- Continue the torso's motion until it is neutral above the hip's position.
I use this same motion to prepare for some kinds of drags and enrosques. In these moves, I need to lead the follower with a consistent motion, but I need to get ready for another move for myself at the same time. Using these drills helps the body memorize the feeling of keeping the torso with the follower, while doing something else. After years of working on this drill, I can depend on my body to do the movement correctly in the heat of the dance, rather than just on the practice or class dance floor.
- The leader stands on one foot.
- While leading a turn (if the leader is standing on the left leg, turn to the right, or CW), the leader makes a quarter circle with the free foot on the floor and collects it back under him/her. I think "Noon to 3 o'clock" to get the right shape.
- For me, the lapiz does not change level. That is, I don't sink into it and then rise again. I try to maintain the same level so that the follower's turn is not disturbed.
- Because a turn is occurring while the lapiz happens, it FEELS as if the lapiz is much bigger. Do NOT make a bigger sweep ("noon to six o'clock") with your leg to get momentum: let the follower's turn make the momentum, based on your body's disassociation/rotation around the axis.
- In the variation we learned last week, the lapiz ends with a front parada (stop) and stepover for the follower. In this case, the quarter circle gets a little tail, as the leader completes the lapiz and then extends the foot again to block the follower's path for the parada.
The lapiz itself is not difficult, but doing it while still leading the follower to turn around the leader can be tricky. The leader's chest needs to turn (as usual) to make the follower turn. The leader is standing on one leg during the turn and moving the other leg without disturbing the balance of the hips. In order for the movement to work, the torso and hips need to disassociate from one another, without losing the axis of the body.
Lapiz as an adorno
Using lapiz as an adorno is a very short clip from Body Dynamics class a few weeks ago. We learned this in the Next 10 Tango Moves class last session.
Lapiz in turns
You can also use the lapiz in turns. We learned this in the Next 10 Tango Moves class, and have been using it in longer combinations in the advanced class this past session. Here is a short clip from Body Dynamics class, reviewing what we've been working on.
Note to followers: The energy and precision of the follower's turn helps the leader to achieve an elegant lapiz. For me, the follower is the "motor" of this move, but does not take over. Give the leader your best turn, keeping the steps equidistant to the center of the circle (the leader). As the leader becomes more comfortable turning on one foot, this will become easier for both of you.